Wednesday

Sonnet 116

In respect of Shakespeare's Sonnet 116


There are several opinions on the intended meaning of Shakespeare's sonnet number 116, and though I am not doing a line-for-line explanation, I would like to express my impressions on this lovely sonnet.

Something that comes up clearly in 116 is the allusion to marriage vows, and I believe that Shakespeare was inspired by those wedding vows to pen his thoughts. The idea of love not altering when alteration it finds seems to be a reference to "in sickness and in health, for richer and for poorer" the couple declares during their vows. Certainly, anyone who has been married for a few years knows that change or alteration is not something that may come, but is certain to come in many different ways.

The words with the remover to remove are quite odd to decipher, though I think he is referring to the idea of "forsaking all others" ... that is, anyone a person has known before the marriage vows are taken or who may come afterward. In effect, saying "no person shall remove me from you." And till deaththe edge of doomthe wedding promise is made to last for the married couples' whole lives.

I can just imagine Shakespeare attending a wedding and while he is listening to the vows being recited, he considers how lovely and profound the thoughts are. They only lack a certain flow and rhythm to become poetic. As he is on his carriage ride home, the words and thoughts fill his mind, so that by the time he has arrived there, he rushes to his desk and writes one of the most beautiful expressions of love.


However, though I fear I may come across as pretentious, I will say I am not crazy about the ending of Sonnet 116. I wish that the last two lines would have been on as high a level of thoughtfulness and moving in their scope as what precedes them. As it is, he seems to have hurriedly come up with some way to end his sonnet. I understand he wished to make the thoughts conveyed be personal and therefore ends with a reference to himself, but to me those last two lines are like having a Rolls Royce and putting a Chevy insignia on it.

All that aside, it seems only right that those expressions on the everlasting quality of love were written literally hundreds of years ago and yet are still being read with tender feeling today. They convey the emotions of people truly in love, who wish to demonstrate their love by making a solemn promise to each other by uniting in marriage.

My having been happily married to the same person for four decades, I can personally say with a fair bit of authority that this sort of everlasting love cannot be just a feeling, no matter how deeply it is felt. It must also be a guiding principle that makes the couple determined to stay together through tough timesyes, for better or for worse. Not that it is worse to stay with the person, but circumstances in life sometimes become better and sometimes worse, such as sickness as opposed to health. In ever so many ways, love is more than what can be summed up in just one word, and Shakespeare captures its enduring nature in this beautiful poem.

To conclude, I was inspired by his words to write a clumsy imitation of Sonnet 116, as you see here:



Tuesday

An offer to our Goodreads winners and runners up!

For our recent paperback giveaway, the winners are ...


Joanne from Michigan
and
Julie from Alaska





These photos were posted on our Instagram account, @noes_expressionsthe day we mailed the packages out. Our winners actually received their copies of our paperback book, Captivated by Youth and Beauty: Mr. Bennet's story, about 2 weeks ago. We hope you are both enjoying the story!



As an incentive to your posting a Goodreads review once you have completed reading our captivating novel, Julie and Joanne, we would like to give you both a free copy of our likewise charming e-short story, The Conversation: with Elizabeth Darcy and Emma Knightley!


But wait, there's more ...

If you are one of the persons who put us on your Goodreads to-be-read list but were not one of the winners, we'd love to give you a free copy of our e-short story just for entering the giveaway also! 

How to receive your free digital copy:
Email us (noeandcindy.write @ gmail .com) letting me know your Goodreads name showing our Captivated book on your TBR list — or if by chance, you have already read it, show me what shelf you have it on. Leave your file preference of either Kindle mobi, epub (works on Barnes & Noble, Kobo, and other devices), or pdf version.

One more thing
As you know, authors need ratings and reviews, not only to keep them encouraged to continue writing, but also to let others know about their stories. For that reason, we would love to see your ratings/reviews on Goodreads, Amazon, or any place else you might think your friends would see it.
Thank you!

Learn more about us here:
Amazon author page
Barnes & Noble author page
Goodreads author page
Facebook: https://www.facebook.com/AuthorsNoeandCindy

Monday

Goodreads giveaway: Captivated by Youth and Beauty

It's a giveaway!

Goodreads Book Giveaway

Captivated by Youth and Beauty by Noe

Captivated by Youth and Beauty

by Noe

Giveaway ends August 20, 2017.
See the giveaway details at Goodreads.
Enter Giveaway
Our story is captivating! If you've ever wondered how Mr. and Mrs. Bennet could have united as one, this will tell you.

Two paperback copies to be given away, USA only at this time. And we hope you'll connect with us:

Goodreads:goodreads.com/author/show/7043471.Noe
Facebook: facebook.com/AuthorsNoeandCindy
Instagram: @noes_expressions

Follow us here:
Amazon Author page

Wednesday

Spider-man rescues Jane Austen

It could happen ...

Jane Austen was sitting at her writing desk, but pen was not making that swift movement from paper to inkwell at the moment. No, her hand was at her head in a contemplative posture, as she asked herself, “Oh, how should Emma react to Mr. Knightley’s reprimanding her for her treatment of Miss Bates after the picnic on Box Hill?” Jane felt the need to stretch, deciding to take a walk about the garden as she contemplated her main character’s reaction. “Should Emma get angry? Should she start to cry? Should she defend herself, or even shoot back some accusation?”

As she was deep in thought about this, all at once, from her peripheral vision, what seemed to be the most enormous bird caught her attention. Turning her gaze into the sky, she looked in every possible direction for it. Seeing nothing, she concluded she had just imagined it, for how else could such a large creature be gone so quickly? Had it not been for the icy chill going down her spine, Jane Austen could have forgotten about the phantom giant bird and returned to the dilemma of Emma’s reaction. She was at the point of refocusing her mind when suddenly she felt herself enwrapped in the arms of someone, or something, and her feet leave the ground.
“I beg your pardon!” she protested, “A woman doesn’t mind getting swept off her feet, but this is not quite the idea!” Getting a view of the person in whose clutch she was and observing it to be a snarling, bald, ugly man with the appearance of a large bird, she added, “Well, I suppose this is the only way you could manage the feat of sweeping a woman off her feet.”

“Listen, lady, just listen! You wrote that story about Mr. Darcy, didn’t you?”

“A brute like you has read Pride and Prejudice? Perhaps you are not quite as unrefined as I first thought.”

“Shut up and answer the question—are you Jane Austen or not?”

“I see refined is definitely not the word for you, sir, but yes I am she. Though I must say, you might reread P&P and pay closer attention to those with good manners.”

“You can keep your manners, I’m not interested in them. I want to tell you how to make your story better—I want you to write another one with Darcy being like me. That will make a really great book, way better than what you have with all that good manners stuff.”

She gawked at the stranger, replying, “You want me to what? Now see here ...”

“Ok, Beak Head, I hate to ruin your fun, but this is Jane Austen and she is
used to men with better manners!” came another voice out of nowhere. At that moment, Jane found herself pulled out of the grasp of the ugly bald man and his winged suit, only now she was somehow suspended by a thread and being placed gently on the ground. Looking up, she saw someone in a red and blue form-fitting outfit spinning a web around the winged man and very politely placing a note to his forehead for the local police.

“My, my, I just came outside for a change of scenery, hoping for a bit of inspiration ... this has certainly been more invigorating than a whiff of roses!”

“Sorry about that, Miss Austen,” said the man in the red and blue suit, “but ol’ Beak Head—or Vulture, as he prefers to be called, but I don’t like insulting the real birds with the association— he hasn’t learned how to behave in decent society, as you would say.”

Jane nodded her head in agreement. “And what are you called? And why do you fellows from America choose to go flying through the air as you do? Isn’t walking like an ordinary person good enough?”

The man laughed, “I’m Spider-man, and if it doesn’t make me sound too conceited, I would say I am not exactly ordinary. But all that aside, can I ask what prince charming there wanted with Jane Austen?”

She answered with some loathing, “That barbarian wanted me to write another story about Mr. Darcy and ... excuse me, but do you know who that is?”

“Sure, from Pride and Prejudice—love the book.”

“Why thank you, sir! Well, as I was saying, he wanted me to make Darcy be like him. The nerve of the man—have you ever heard of anything so ridiculous?”

“No way, I see your point. If you made Darcy like our feather-brained friend, he wouldn’t be Darcy anymore.”

“Quite right! Now tell me, what would you think of someone making up a story about you and this bald-headed winged man, but when you arrive on the scene as you did for me just now, you get angry and turn into .... oh, I don’t know, let us say some giant green thing, and he is changed from his winged costume into some other thing, a jungle creature such as a rhino, perhaps?” Giving her hands an upward toss, she cried, “Now, do be honest, the story would no longer be Spider-man versus the Vulture ... do you see my point?”

“Sure, I get it, but let me correct you ...” Miss Austen inclined forward as he continued, “ ... the Thing is a big rocklike person and the giant green angry one is the Hulk.”

Miss Austen rolled her eyes and laughed, “I see, but let us not get sidetracked from the main point: changing a character’s identifying traits entirely changes the character and, therefore, giving them a certain name doesn’t make them that character; such a thing would be nonsense. Even if this vulture was called Darcy, he wouldn't be my Mr. Darcy!”

Spidey nodded his head, “Absolutely! If someone wants to put one of your characters in some other story setting, that is something that could be interesting, but the real beauty of it would be if the character is still the same person you came up with. Otherwise, why not just make up some other name for the character?”

“You are a young man of good understanding. How refreshing! And speaking of refreshment, I should beg your pardon; the least I could do after you saved me from that savage is to offer tea.”

“That sounds good, but I must be going now.”

“Oh ... well then, I sincerely thank you for saving me, kind sir.”

“My pleasure, Miss Austen, and if I hear of anyone messing with your characters, you can trust your friendly neighborhood Spider-man to give them a stern talking to!”


copyright © 2017 by NoeandCindy ***********************************
Jane Austen art by Gracie Klumpp I found this beautiful art piece by Miss Gracie through a Google search, and you can find her and more of her work on Facebook, Instagram, and her website. Thank you so much for the permission to use it on our story, Gracie!

Vulture clipart: http://clipart-library.com/clipart/348452.htm This was found with a free clipart search and downloaded from this site.

Spider clipart: http://clipart-library.com/spiders-cliparts.html This also was found with a free clipart search and downloaded from this site.

Friday

Captivated by Youth and Beauty

Our newest release

With the release of our latest novel, Captivated by Youth and Beauty: Mr. Bennet’s story, now seemed like a good time to interview Noe on his cover art. Noe has done all the covers for our stories, and there’s a reason he did each one the way he did. Here are some of his thoughts about doing our cover art and on this one in particular:


Me: Noe, why do you choose to do your own book covers?
Noe: Creating a book cover that is interesting and related to the story inside is a challenge. I have picked up books that had sweet covers only to find, in starting to read the book, that the cover was misleading.


Me: That has happened to me before as well and can be quite a let-down, I must agree.
Noe: Exactly. For that reason, I try hard to make our book covers accurately represent the narrative. Our latest book has a cover that I hope imparts the idea of the man we know from Jane Austen’s Pride and Prejudice, who loves books so much they are his best friends, being distracted by a beautiful young lady.


Me: That seems simple enough, and with him holding the book in one hand and her beside him on the other, I think you captured that.
Noe: Thank you. Because the story is also about the history of his family, though, I wanted the image to communicate a feeling of nostalgia, that sense of looking at old family photos. That is why I opted for black and white for the main portion of the digital copy. The paperback will be in color but will also have a distressed look to convey that same idea.


Me: This story is bit different than your others in that you have Mr. Bennet answering Elizabeth’s question about how they met, so it takes us from their present to their past. I think you said you incorporate that idea in the cover also.
Noe: Yes, while making Mr. Bennett and Miss Gardiner look young, I highlighted them with white, as if their white hair of old age is being transformed to their younger days by virtue of him relating the story. For those who are young now, to think of themselves as elderly may be difficult, but when a person has reached old age it is a blessing that with a simple thought you can conjure up your younger self. Suddenly, those many decades that you have lived through don’t feel like decades, but more like just a flash. And speaking of flash, the light behind our two lovers is meant to be a setting sun, for that touch of romance of our hero and heroine ending up together, but it is also a symbol for Mr. Bennet being in his declining days.


Me: Wow, there really is a lot to consider in this book cover.
Noe: Well, when people look at a piece of art, each person has their own impressions of any implied meaning in the objects depicted, and most often the artist is not present to relate what his concept of the piece really is. I have no idea if all I was trying to convey in the cover art can be perceived, but hopefully with this explanation, you might see some semblance of it as you read the story.

Me: Well, I think even if readers do not see this blog article, they will be moved by the cover of the book. For people who love this character, finding out how the silly Mrs. Bennet was able to captivate Lizzy’s father in his youth will be quite moving.


Mr Bennet meets his wife
Captivated by Youth and Beauty

The book is available in ebook format only at this time, but should be ready in paperback by the end of May if not sooner. Below are a couple of links for places you can find it online:
Amazon.com: http://tiny.cc/36msjy
Books2read has several links: https://www.books2read.com/u/bWKaGY
You can also find it on other online bookstores by searching their ebook sections.