Showing posts with label written by Noe. Show all posts
Showing posts with label written by Noe. Show all posts

Wednesday

Sonnet 116

In respect of Shakespeare's Sonnet 116


There are several opinions on the intended meaning of Shakespeare's sonnet number 116, and though I am not doing a line-for-line explanation, I would like to express my impressions on this lovely sonnet.

Something that comes up clearly in 116 is the allusion to marriage vows, and I believe that Shakespeare was inspired by those wedding vows to pen his thoughts. The idea of love not altering when alteration it finds seems to be a reference to "in sickness and in health, for richer and for poorer" the couple declares during their vows. Certainly, anyone who has been married for a few years knows that change or alteration is not something that may come, but is certain to come in many different ways.

The words with the remover to remove are quite odd to decipher, though I think he is referring to the idea of "forsaking all others" ... that is, anyone a person has known before the marriage vows are taken or who may come afterward. In effect, saying "no person shall remove me from you." And till deaththe edge of doomthe wedding promise is made to last for the married couples' whole lives.

I can just imagine Shakespeare attending a wedding and while he is listening to the vows being recited, he considers how lovely and profound the thoughts are. They only lack a certain flow and rhythm to become poetic. As he is on his carriage ride home, the words and thoughts fill his mind, so that by the time he has arrived there, he rushes to his desk and writes one of the most beautiful expressions of love.


However, though I fear I may come across as pretentious, I will say I am not crazy about the ending of Sonnet 116. I wish that the last two lines would have been on as high a level of thoughtfulness and moving in their scope as what precedes them. As it is, he seems to have hurriedly come up with some way to end his sonnet. I understand he wished to make the thoughts conveyed be personal and therefore ends with a reference to himself, but to me those last two lines are like having a Rolls Royce and putting a Chevy insignia on it.

All that aside, it seems only right that those expressions on the everlasting quality of love were written literally hundreds of years ago and yet are still being read with tender feeling today. They convey the emotions of people truly in love, who wish to demonstrate their love by making a solemn promise to each other by uniting in marriage.

My having been happily married to the same person for four decades, I can personally say with a fair bit of authority that this sort of everlasting love cannot be just a feeling, no matter how deeply it is felt. It must also be a guiding principle that makes the couple determined to stay together through tough timesyes, for better or for worse. Not that it is worse to stay with the person, but circumstances in life sometimes become better and sometimes worse, such as sickness as opposed to health. In ever so many ways, love is more than what can be summed up in just one word, and Shakespeare captures its enduring nature in this beautiful poem.

To conclude, I was inspired by his words to write a clumsy imitation of Sonnet 116, as you see here:



Friday

Captivated by Youth and Beauty

Our newest release

With the release of our latest novel, Captivated by Youth and Beauty: Mr. Bennet’s story, now seemed like a good time to interview Noe on his cover art. Noe has done all the covers for our stories, and there’s a reason he did each one the way he did. Here are some of his thoughts about doing our cover art and on this one in particular:


Me: Noe, why do you choose to do your own book covers?
Noe: Creating a book cover that is interesting and related to the story inside is a challenge. I have picked up books that had sweet covers only to find, in starting to read the book, that the cover was misleading.


Me: That has happened to me before as well and can be quite a let-down, I must agree.
Noe: Exactly. For that reason, I try hard to make our book covers accurately represent the narrative. Our latest book has a cover that I hope imparts the idea of the man we know from Jane Austen’s Pride and Prejudice, who loves books so much they are his best friends, being distracted by a beautiful young lady.


Me: That seems simple enough, and with him holding the book in one hand and her beside him on the other, I think you captured that.
Noe: Thank you. Because the story is also about the history of his family, though, I wanted the image to communicate a feeling of nostalgia, that sense of looking at old family photos. That is why I opted for black and white for the main portion of the digital copy. The paperback will be in color but will also have a distressed look to convey that same idea.


Me: This story is bit different than your others in that you have Mr. Bennet answering Elizabeth’s question about how they met, so it takes us from their present to their past. I think you said you incorporate that idea in the cover also.
Noe: Yes, while making Mr. Bennett and Miss Gardiner look young, I highlighted them with white, as if their white hair of old age is being transformed to their younger days by virtue of him relating the story. For those who are young now, to think of themselves as elderly may be difficult, but when a person has reached old age it is a blessing that with a simple thought you can conjure up your younger self. Suddenly, those many decades that you have lived through don’t feel like decades, but more like just a flash. And speaking of flash, the light behind our two lovers is meant to be a setting sun, for that touch of romance of our hero and heroine ending up together, but it is also a symbol for Mr. Bennet being in his declining days.


Me: Wow, there really is a lot to consider in this book cover.
Noe: Well, when people look at a piece of art, each person has their own impressions of any implied meaning in the objects depicted, and most often the artist is not present to relate what his concept of the piece really is. I have no idea if all I was trying to convey in the cover art can be perceived, but hopefully with this explanation, you might see some semblance of it as you read the story.

Me: Well, I think even if readers do not see this blog article, they will be moved by the cover of the book. For people who love this character, finding out how the silly Mrs. Bennet was able to captivate Lizzy’s father in his youth will be quite moving.


Mr Bennet meets his wife
Captivated by Youth and Beauty

The book is available in ebook format only at this time, but should be ready in paperback by the end of May if not sooner. Below are a couple of links for places you can find it online:
Amazon.com: http://tiny.cc/36msjy
Books2read has several links: https://www.books2read.com/u/bWKaGY
You can also find it on other online bookstores by searching their ebook sections.

Saturday

Perfectly Preposterous Pride and Prejudice, number 3

Episode 3

Jane Austen, without a doubt, is one of the wittiest women you can find. She is absolutely one of our favorite authors. This is the third in our series of preposterous episodesclick here to see the first or the second. And now, let the fun begin:
Sisters Will Talk

The Meryton Assembly Ball always created a stir in the Bennet household, and this year's ball had what could be called that very special something that makes such an event something looked forward to even beyond the enjoyment of dancing. Yes, that appeal to the heart and imagination that a rich single man in attendance brings! Handsome is always a part of the description of such a fellow, regardless of the reality. Why, one might even believe the color of his coins is rose.

As the location for the ball is the small town of Meryton, this added incentive for excitement is rare indeed. "Lizzy," cried Lydia Bennet, "are you not simply overflowing with anticipation to the point of giddiness to finally see Mr. Bingley? My own head is positively whirling so that I am dizzy! You, on the other hand, seem so calm—you resemble the pond when not even a duck has so much as stirred its waters. The day has finally arrived for all our curiosity and speculations to at last be over! Surely there has not been a ball that has offered so much reason for suspenseful anticipation, would you not agree? We shall be meeting a handsome single man of five thousand a year living at Netherfield Park!"



Indeed, the days until this happy prospect arrived could not pass quickly enough. Before her sister had time to reply, however, Kitty walked to the window and declared, "Lizzy has wisely determined not to set her horse after the same fox as all the other young ladies. I dare say I will adopt her position myself, for there is nothing quite so frustrating as wanting what everyone else wants when there is not enough to go around ... in a house full of five sisters, I can assure you, I know that more than anyone. And besides, just imagine how terrifying for the poor fox to have so many hot on the chase."

Lizzy raised her eyebrows at such common sense coming from this younger sister and was on the verge of saying so when yet another of her sisters spoke before she had the chance. "What you say has a ring of truth, Kitty. However, in the world of men and women, it is we, the fairer sex, who are most often viewed as the game after which the men chase, not the other way around. I believe it was Sir George from Birmingham who, I might add, spent more than a few years in the jungle—yes, it was he who said, 'Find a good woman and one has found a fine trophy to showcase.'" Being very much pleased with the quote, Mary gave her head a nod or two and then paused, casting a wary eye as she added, "Although, the whole notion of comparing human relations to the barbarism of the hunt would make one conclude that mankind has yet to learn to be truly civil. For my part, romance should have nothing in common with anything that ends with blood being spilled."


Elizabeth now turned toward Mary, but as her lips began to part and her breath was about to create that articulate sound, the other sister that had yet to speak said quietly, "Mary, men have always put matters of the heart in terms that make sense to them. They are not to be found fault with for the littleness of their minds on this point ... it is common knowledge that men have brains equal to their hearts. They do so little thinking or feeling, it is no wonder that both have atrophied to the point that we find them now. As you say, their comparing love to anything noisy and violent, such as sport with guns, is proof of this unfortunate debility."

Lizzy put her hand to her chin and gazed upon her sisters, respect and warm regard filling her heart and head. At that moment, her sisters turned to her as one, and seeing she had taken on such a faraway, thoughtful aspect, they declared in unison: "Well, Lizzy, are you looking forward to seeing Mr. Bingley or not?"



~~~~~~~~~~~~~~~~~~~~
copyright © 2017 by NoeandCindy

The end of this episode ....

Want to read more "Perfectly Preposterous P&P" posts?
Here they are:
Number 1, The Continuing Saga
Number 2, Bingley visits Mr. Bennet


Thank you for reading what noeandcindy.write !
https://www.amazon.com/author/noeandcindy.write
Like us on Facebook: facebook.com/AuthorsNoeandCindy

Sunday

Show, don't tell — or How to make a mountain out of a molehill

My thoughts


Storytelling sounds so much better than story showing, don’t you agree? And yet, in the world of writing, there is this mantra: "show, don’t tell." According to some persons, a book is determined to be either good or bad on this one basis. But is "show, don’t tell" really the cornerstone of good writing? I don’t think so.

I have read several articles about "show, don’t tell" and inevitably the person writing the article takes one sentence or a short paragraph that is written very plainly as an example of telling and then they rewrite it in a more interesting way as an example of showing. Afterward, they make this conclusion: “There, isn’t that better? You see, showing is so much better than telling!" Of course, you can take one sentence or paragraph that is poorly written and just about anyone can rewrite it in a more interesting way. I dare say, you can then take the showing, rewrite and rewrite it yet again and keep coming up with a better sentence. That is, after all, why authors write and rewrite their books until they’re happy with them.

I have read reviews where the reader enjoyed a book but complained about misspelled words and bad grammar, but I have never read a review where the reader said it was a good book but found fault because there was telling and not showing. This is why I would maintain that a more significant way to determine if what is written is good or not is how interesting and entertaining it is. An author can show all he wants in his writing, but if his characters are not compelling or the story is of no interest or, perhaps better said, not told in an interesting way, the technical mumbo jumbo about "show, don’t tell" is completely irrelevant. It’s a bit like saying, “I love the color of my car! Didn’t the painters do a wonderful job?”— but the car doesn’t have an engine or wheels.

This malarky about show, don’t tell strikes me like a silly fashion craze that lasts for one summer, whereas good storytelling— yes, telling— is like blue jeans. They’ve been around forever and they never go out of fashion.

Monday

Perfectly Preposterous Pride and Prejudice, number 2

What now?

Jane Austen, without a doubt, is one of the wittiest women authors you can find. She is absolutely one of our favorite authors. Here is our second in this series of preposterous episodes -- click here to see the first. Now, let's get into this one:
Bingley visits Mr. Bennet

Imagine a blue coat like the border.
Charles Bingley, having received a visit from his neighbor of Longbourn estates, Mr. Bennet, sought now to return the honor and went to visit the older man. Of course, he might not have hastened to do his neighborly duty if Mr. Bennet did not have five daughters of whose reputed beauty he had heard much about; it was for that reason that Charles, in his becoming blue coat that was such a lovely pairing to his blond hair and blue eyes, went to visit Mr. Bennet.

“Ah, Mr. Bingley, how good of you to come and see me,” Mr. Bennet declared on greeting him. “If you will follow me, we can talk in the library where we are sure not to be interrupted.”
“You know, Mr. Bennet, I for one am not averse to interruptions ... in fact, in some way, I believe they can prove to be diverting—in their own way,” Charles repeated, testing the waters.

“Nonsense!” declared Mr. Bennet. “There is no need for you to trouble yourself with that. I’m quite sure you have heard that I have five daughters and you mean to put me at ease, for no one seems to be half so good at ill-timed poking in of the head than young ladies, you know. But, rest assured, we will not have to worry about such things in the library,” Mr. Bennet teased, his eyes twinkling.


Charles sighed and tried to look satisfied as he followed his host to the library. Making sure he was a step or two behind Mr. Bennet, he scanned from left to right in hopes of a glimpse of at least one of the girls. Mr. Bennet, turning back to look at his guest, noticed his looking about, and laughed, “Longbourn is not quite Netherfield Park is it?”



Surprised, Bingley jumped a bit, with the countenance of a boy caught cheating at his school work, and stammered, “What?.... oh, no, I assure you, I was .... well ....uh, what I mean to say is ...”



“Do not concern yourself over such an innocent act, Mr. Bingley. We all examine other people’s things, for we find some private amusement in feeling a bit superior to our neighbors whenever we can.”


“Indeed, you are very kind, sir,” he replied sheepishly.

Now in the library, Charles heard the door shut with the sound of a prisoner being condemned to never see the light of day. This feeling of condemnation only increased with his host's small talk of the condition of the roads and the last poor growing season. In vain, he attempted to turn the conversation to the ladies of Longbourn house, inquiring, “Do any of the young ladies take an interest in the running of things?”


He might just as well have placed a red rubber nose on and danced about like a monkey for the reaction this question elicited from their father! As Mr. Bennet finally stopped laughing, a knock at the door drew their attention, and for the first time Charles’ face lit up, hoping the voice on the other side of the door would be female, but to no avail. The servant entered, begging pardon, “Mr. Bennet, it seems there is some emergency with one of the tenants.”

“Emergency? That sounds like something that cannot be put off till after lunch, does it?” he said, looking at his guest.

“I have rarely used the word for anything that was not urgent,” Charles agreed, and thinking fast, he added, “... but perhaps it is something that can be seen to with speed. I shall wait for you, and if you are detained long, I will take my leave, knowing it cannot be helped.”

“Very good,” replied Mr. Bennet, proceeding for the door. Seeing him turn the corner as he left the room, Charles called out in as low a voice as he could manage that might still be deemed audible, “Perhaps I will wait for you in one of the other rooms.” Receiving no answer, he muttered, “Obviously, if he had some objection, he would have said so.”

He rose from his chair tentatively, still feeling remnants of the schoolboy that had only recently been caught at something. Each step toward the door made him more bold, however, and the expectation of seeing at least one of the girls was all the added motivation he needed to get him out of the library and into the hall. Now which way should he go, especially since he didn’t really know where the sitting room was? He reasoned, “If I make my way toward the entrance, I at least ... wait, what was that?”

He heard the definite sound of gigglingyes, the sound young females express in those light, pleasant tones of subdued laughterthat made him put his ears up as if he were a hound on the hunt. Just when he believed he had caught the direction, though, it stopped. He now moved ever so quietly forward, like an American Indian sneaking up on a buffalo. Had Mr. Hill, the manservant, not been so intrigued by his odd behavior, he would have approached and offered to be of assistance. But knowing this was the rich fellow of Netherfield Park, he opted to watch instead, for he had heard that these rich men can be quite eccentric, and what he was beholding certainly qualified for unconventional, and more than a little strange.

Having determined the general direction he should go in search of his quest for a sighting of lovely ladies, Bingley proceeded toward the sitting room. The beauties, who were unknowingly being sought, were in the sitting room discussing how unfair it was that Papa not allow them even a brief hello from their new neighbor. Lydia finally proclaimed, “I don't know about you, but disappointment always makes me hungry—I am going to the kitchen.”

It seems that disappointment made them all hungry, for they each followed their sister. As the last one exited the room, Charles had finally found his way there, followed at a good distance by Mr. Hill, who was glad the household never was at a loss for some diversion.


Entering the room, Charles put on his most innocent face and prepared himself to give the appearance of surprise upon finding the Bennet girls. Alas, all his innocent face-making and surprise preparation came to naught, for he found the room empty. “How do those American Indians manage sneaking up on a buffalo out in the wide open spaces and I cannot conduct a successful hunt for five ladies in the confines of a house such as this?” he cried.

Mr. Hill had pretty much determined the young man was in search of the Bennet girls, but with this declaration, he now had confirmation. “I know it has been to my master’s detriment that he did not have a son, but what we have gained in the way of entertainment with these girls has been worth it!” he chuckled.

In the kitchen, the girls were treated to fresh biscuits just come from the oven. Kitty declared, “I believe I could do very well without seeing our new neighbor for another of these biscuits,” causing her sisters to laugh heartily as they each helped themselves to another. The laughter drifted along with the aroma of the biscuits to the sitting room, bringing their neighbor to a more active posture. “I may not be an American Indian, but I am certain I can trace that sound and the unmistakable aroma of biscuits!”

Who wears bonnets and cloaks in the house?
Meanwhile, Elizabeth, with a mischievous grin, suggested, “Let us take our treats and meander past father’s library ... we might perchance hear something of our neighbor at least, even if we are prevented from seeing him.” Giggling with delight, the girls left the kitchen for the hall that communicated with the library door.


Nevertheless, the sound of laughter and growing intensity of the bouquet of biscuits confirmed Charles was nearing his goal. He traded in his face of innocence for the real look of wanting a fresh biscuit; the surprise, he felt sure, would come naturally. So he pushed open the door, only to find the cook and her help busily replacing the biscuits that had been eaten by the five girls. The staff turned to look upon the young gentleman, and as things turned out, it was he and the cooks that had the look of surprise—he, for he was sure he had come upon the girls, and they, for they were not accustomed to receiving guests in the kitchen. “I say,” began Charles, overcome with the smell of the delights just placed upon the table, “ … I realize it is fearfully unusual, but might I trouble you for a sample of those delicious smelling biscuits?”

“Certainly, sir, have as many as you like.”

Having proclaimed the biscuit as being among the finest he had ever tasted, the cook recommended he try some raspberry jam on another. Bingley, giving voice to the exquisite tastes dancing upon his tongue, moved the cook to make further recommendations to his willing acquiescence.

While Charles was enjoying himself in the kitchen, the girls moved slowly past the door of the library, hoping to hear something, but to no avail. Mary, thinking quick on her feet, pretended to trip on the carpet and bump against the door. All five turned in unison, biscuits in hand, to await some response from within the library ... how simple to explain a happy tripping accident of their nearsighted sister to their father. But, alas, nothing. Jane said optimistically, “He may not even be here, but let us go upstairs and see if his horse is still here.” With that the girls hustled away.


At this point, Bingley, having his fill of the delicious biscuits, asked the most sensible question to ask once his stomach was full, “May I inquire, were the young ladies of the house just here?”

“Indeed, sir, they have gone to the library, I heard them say.”

“Ahh, excellent! I shall just go there then ... thanks ever so much for the biscuits.”

Proceeding to the library, Charles was filled with high hope, as well as biscuits, the smile on his face bespeaking both feelings. Coming to the library door, he swung it open only to find no one was there either. “Well, I know I am supposed to be in here, but I might as well venture to the front door,” he said, heading directly there. He now stopped by the stairs, feeling rather suspicious for all his lurking about.

Suddenly, one of the servants in the other part of the house made a rather loud noise, causing Charles to jump and look about. Seeing no one, he struck a pose near the banister, looking as innocent as a grave robber outside the cemetery gates. Observing no one either coming or going, he first allowed his eyes to wander as far afield as possible without actually turning his head. With the moments ticking by making him feel more safe, he permitted himself the freedom of looking about, so very much desiring the nerve to gaze upstairs, thinking it would be from one those apartments he might catch a glimpse of one of the beauties. Ever so slowly, he began to turn his head that direction and, feigning to yawn, he stretched his arms above his head and opened his mouth wide for the full effect. Unseen to him, an innocent gnat happened by at that very moment, only to be sucked into his mouth, causing him to cough and gag and try to remove the offending gnat in the only way one can remove such a creature that had crossed one’s lips and gone into the cavity beyond where teeth and tongue reside! Had Mr. Hill not been practised in the art of remaining silent as human comedy played out before his eyes, he could not have watched the scene and continued quiet.


Hearing once again the sound of young ladies giggling, Charles was made to look all the more silly as he frantically contorted this way and that in an effort to regain composure. Thinking he was still beside the banister, he attempted to place his right hand on it and look nonchalant, only to find his twisting and jostling about had brought him further away from the said banister than expected. His hand finding only the open air on which to lean, Bingley found it sorely lacking in its ability to hold him up, and his leaning did not stop till he was flat on the floor.

However, being still a young man of some dexterity, he sprung up from this prone position with surprising swiftness. Straightening and examining his blue coat and seeing that it was none the worse for these gymnastics, he said calmly to himself, “Well, it appears Mr. Bennet will not be returning very soon. Just as I thought.”

Thereupon, Charles Bingley calmly walked out the front door, sporting his beguiling smile, and had he been less in a hurry to ride off, he might have observed five lovely faces looking down, admiring his blue coat.



~~~~~~~~~~~~~~~~~~~~
copyright © 2016 by NoeandCindy

The end of this episode ....


Want to read more "Perfectly Preposterous P&P" posts?
Here they are:
Number 1, The Continuing Saga
Number 3, Sisters will talk



Thank you for reading what noeandcindy.write !
https://www.amazon.com/author/noeandcindy.write
Like us on Facebook: facebook.com/AuthorsNoeandCindy

Friday

Mary Bennet in "The Sun Also Shines for me"

The Sun Also Shines for me
      by Noe and Cindy

We've been posting some photos with excerpts from our book on our Facebook page.
Thought you might like to see them too, but first:

I love the look on this girl's face ... Tessa Peake-Jones did a great job playing Mary Bennet in the 1980 version of Pride and Prejudice.

~~~~~~~~~~
Mary is one of our favorite lesser characters, so we wrote a book all about her! "The Sun Also Shines for me" is about Mary and Georgiana Darcy and their growing friendship.

I thought this sweet picture of Elizabeth and Mary from the 1940 version of Pride and Prejudice fit this quote from the book just right. This is just after Lizzy has presented Mary with a gift:

What she found was a book with the unusual and intriguing title, Sense and Sensibility. Elizabeth explained, "It is a new story I have been hearing a bit about, but I haven't read it yet myself. I know you are not much for novels, Mary, but the title seemed perfect for you, regardless of whether the story is much to your liking. It is reported to be quite good, though, and the author is a woman, no less, whose name is Jane Austen." ....
"I shall treasure it, dear Lizzy."

~~~~~~~~~~
One of my favorites to play Mary is Talulah Riley from the 2005 version of Pride and Prejudice ... she's just so cute!

Another brief excerpt about Mary:

Such things as gowns and feminine accessories were not what held her greatest interest. How pleasantly surprised she was, then, to see the beautiful blue dress set out for her, simple and yet quite lovely. Once it was on and she looked at herself in the mirror, there was no need to force herself to be pleased. Stepping out to her friends with a feeling that was new for her, Mary Bennet looked more lovely than they had ever seen her.

~~~~~~~~~~

A genuine smile makes every face pretty, doesn't it? This photo of Lucy Briers playing Mary in the 1995 version of Pride and Prejudice fits this part well:
Mary's face broke out in a wide smile as she accepted the challenge, and after a moment's pause, she declared triumphantly, "Well, how about this for music and poetry -- since they are designed to raise the passion for life and love, I think red or some variation of it would do nicely!"
~~~~~~~~~~
Our book is available in paperback or digital forms.
You can find it in just about every online bookstore.
Or ask for it specifically at your local store; they can order it for you. 

Posted by cindy, despite what the line below says :)