Tuesday

My opinion only ...

Ok, here goes another post you'll either strongly agree or disagree with!

Our son is grown and we have no grandchildren yet, so we don't have to "worry" about finding good books to read to a young one... and I am so glad about that. Being the writers that we are of the Sarah's World series books, we can't help being interested in books for young people, though. 

These are a few I've seen recently; I have not read them and don't recommend them:
(Noting where I saw the books and got the info)
From Barnes and Noble (B&N Exclusive Edition), under Best Sellers section
The Serpent's Shadow -- for kids ages 9-11 years, 4.5 stars
He's b-a-a-ack! Despite their best efforts, Carter and Sadie Kane can't seem to keep Apophis, the chaos snake, down. Now Apophis is threatening to plunge the world into eternal darkness, and the Kanes are faced with the impossible task of having to destroy him once and for all. Unfortunately, the magicians of the House of Life are on the brink of civil war, the gods are divided, and the young initiates of Brooklyn House stand almost alone against the forces of chaos. The Kanes' only hope is an ancient spell that might turn the serpent's own shadow into a weapon, but the magic has been lost for a millennia. To find the answer they need, the Kanes must rely on the murderous ghost of a powerful magician who might be able to lead them to the serpent's shadow . . . or might lead them to their deaths in the depths of the underworld.
From Amazon
The Amulet of Samarkand -- for kids age 10 and up, 4.5 stars
Nathaniel is a magician's apprentice, taking his first lessons in the arts of magic. But when a devious hot-shot wizard named Simon Lovelace ruthlessly humiliates Nathaniel in front of his elders, Nathaniel decides to kick up his education a few notches and show Lovelace who's boss. With revenge on his mind, he summons the powerful djinni, Bartimaeus. But summoning Bartimaeus and controlling him are two different things entirely, and when Nathaniel sends the djinni out to steal Lovelace's greatest treasure, the Amulet of Samarkand, he finds himself caught up in a whirlwind of magical espionage, murder, and rebellion.
From Barnes & Noble
The Rising -- for teens ages 14-17 years old
“Will keep teens who are undaunted by its 600 pages on the edge of their seats. Interweaving the stories of Jamie, Dracula, Frankenstein, and a mysterious man wandering the American desert, this book is closer to the elaborate works of Stephen King than many vampire novels marketed to teens.”—VOYA
James Bond meets Dracula in this epic saga of one boy and a ton of weapons versus the world's oldest evil—vampires as you've never seen them before!
Sixteen-year-old Jamie Carpenter's life was violently upended when he was brought into Department 19, a classified government agency of vampire hunters that was formed to deal with a little problem . . . known as Dracula.
Now why do you want to let your kids read books like these? This kind of book has been out for ages, they aren't anything new. There sure seems to be more of them now, however, and with darker themes and more hideous characters. Shouldn't reading be relaxing, entertaining, and educating (but fun)? Noe recently posted "The right magic" and in there talked about make-believe and the kind of imagination that is good for all of us, young and old. 

I do hope parents and authors will really think about what young people are reading, and give them good stuff to stimulate their minds and hearts. Hopefully Noe will one day put his pen to paper on a book for teens... that would be great!

Here's an open letter from one of our friends to some of her friends, to let them know about our Sarah's World books:
Hi everyone!
  I just wanted to introduce you to the childrens book series "Sarah's World" which is written and illustrated by my personal friends, [Noe and Cindy].
  I wanted to share with all of you this wonderful series. You'll never have to second guess the information or lessons being taught in these stories. No magic, monsters, or anything else unsavory here. 
  Please pass this along to absolutely everyone you know! These books can be given as gifts to young ones we care about. We need all the help we can get to mold young minds toward wholesomeness in this rotten system!
  One is interactive with educational links; it's awesome!
  They have just begun this endeavor and are up to three books now, so get your little ones in on the beginning of "Sarah's World".
Well, like I said, you're gonna either agree or disagree with this post, but hopefully it gave you food for thought. You can leave a comment if you want, of course.
Thank you for reading what noeandcindy.write !
cindy

Monday

More on Jane Austen's heroines... post six

Jane Austen's master touch in creating a female character, putting her in the perfect situation to bring out that which defines her, serves as one of the main ingredients by which the tension of the story builds. Today let’s consider her book …

MANSFIELD PARK
I might get slapped for this, but I say Mansfield Park is the only story where there is a true rivalry for the affections of the same person, Edward Bertram.

The two women in question are Fanny Price and Mary Crawford. Fanny is Edward’s cousin, and her family is very poor; whereas Edward’s family is very rich and live in Mansfield Park. Fanny is permitted to live with the Bertrams out of kindness.

Mary Crawford is a wealthy, sophisticated lady, the kind of lady that is antagonistic with the object of her affection, having all the charm and looks so as to keep the guy coming back for more.

Fanny, coming from such poverty and being reminded by her cousins that she is not a Bertram but a poor Price, develops the strength of an honorable character. Her sense of gratitude turns out to be far more appealing, because of the genuineness of it, than all of Mary Crawford’s sophistication and practised man-baiting.

Noe 

Thursday

Heroines... post five on Jane Austen

CONTINUING OUR LOOK AT JANE AUSTEN'S HEROINES


Sense and Sensibility


This story had the title "Elinor and Marianne" to begin with, and that's quite appropriate, but the latter title is even more so. Here we have two heroines, the Dashwood sisters: Marianne, who is 17 years old, and Elinor, who is 19. Right from the start, the girls go from great wealth to having very little, because they have a rat with a capital R for a half-brother. Despite explicit instructions from his father on his deathbed, the man refuses to help in even the smallest way when he dies and, as so many rules of inheritance back then play out, everything goes to the Rat.
The RAT brother
Happily, a relative of their mother saves them from poverty and offers a small cottage for the bereaved family to live in. Ere long, Marianne has Colonel Brandon showing a clear interest in her. However, she is uninterested because he is twenty years older! which is actually refreshing, considering in those days old guys are always marrying teenagers and no one seems to bat an eyelash! Anyway, Marianne is filled with vitality both physically and emotionally and she figures an older man just won't do ... enter Willoughby, a dashing
young man who is handsome, loves the same poetry as Marianne, and (to top it off) will inherit plenty from his aunt. Just as things seem to be turning up roses for Marianne, Willoughby abruptly leaves, with no hope of returning. This turns Marianne into one of the most lovelorn figures in Austen’s world.

Then there is Elinor, who is prudent and rational and it is a good thing, too! Her situation becomes complicated: she develops feelings for one Edward Ferrars, only to learn from Lucy Steele that he is secretly engaged to ... Lucy Steele! I know this makes Edward sound like a scoundrel, but he really isn’t, and Elinor knows that. Now, with Marianne torn up over Willoughby, and a mother that acts more like a younger sister than a mother, Elinor must bear her emotional turmoil with patience and a deep regard for doing what is right.
With Marianne’s emotional openness playing off Elinor’s silent endurance, what is created is a gripping emotional drama that makes you yearn for something good to happen to the Dashwood girls. Once again, Jane Austen has created an intriguing story with strong female main characters.


Noe 

Heroines... post four on Jane Austen

Heroines, beginning with Northanger Abbey

Jane Austen has the touch of a master in creating a main character and then putting her in a perfect situation, one that brings out the characteristics which define the heroine. With that, the main ingredients are set by which the tension of the story builds. For instance, today let’s briefly consider her book Northanger Abbey.

The heroine of this story is Catherine Morland, a naive country girl who is taken out into society for the first time by her family's childless neighbors, Mr. and Mrs. Allen. In Bath — which is actually a place in England, despite how it might sound she meets Henry Tilney. This fine, witty young man comes from a wealthy family, and he is immediately captivated by Miss Morland's innocence and simple country manners. Henry’s father, who is more interested in money and position, is informed by someone that Catherine is to inherit a great fortune from Mr. Allen, but this is simply false.

As a true genius, Austen has made young Catherine an avid reader of Gothic stories, and this admits a closer look at her inexperience and simple-mindedness, not to mention creates a fertile ground for her wild imagination. When she is taken to the Tilney's home, Northanger
Abbey, which is an old monastery being done over in as modern a fashion as that time period would permit, the outward appearance and interior design is enough for Catherine to be carried away under the influence of her Gothic stories!

What will Miss Austen do now? Will love bloom between Henry and Catherine? ... or is to be strangled in the dark halls of
Northanger Abbey? With each time I read this tale, I grow more fond of the young heroine Catherine Morland and am sure you will too.
Noe 

Saturday

Poems that rhyme

I have been reading about Lord Byron, because he is so often mentioned in some of the movies I watch, and I was feeling a bit unenlightened. He is often described this way:
“He is regarded as one of the greatest British poets and remains widely read and influential.”
When I read that, I really felt I had missed something. Then I was surprised to find that his poems rhyme. Well, it has always been my opinion that poems that rhyme are a bit adolescent. 
Here's an example of Byron’s poems: "She Walks in Beauty"

While doing research for this article, I came across this site
and realized how ignorant I was on the subject of poetry: Types of Poetry

In my defense, I have never claimed to know all about poetry, only that I prefer to write... 
poems that don’t rhyme ... for this I hope I will not be asked to do time. 
Then fear of fears ... I learnt from my wife of many years -- 
for whom I have written poems of any number 
some of which were very clever 
but none of which have rhymed... 
poems that rhyme are what she prefers!

I was letting all this sink in while I listening to Anna Graceman sing "Give Me Your Heart" on Youtube in which she has a line about various fairy tales, and I was reminded of a song I had rolling around in my mind from a long time ago... mine had a reference to Little Boy Blue. Anyway, I decided, after hearing Anna’s song, to write a poem that rhymes dedicated to my sweet wife:

Cinderella, Snow White, and Romeo and Juliet
They all found love to be it
The story was not always easy
Sometimes the story turned out awfully
Like it did for Romeo and Juliet
But they found love to be it.

Love is not a bedtime story
It doesn’t always make you rest calmly
Love can be like a fire in your bones
Raising you up as if you were on a throne
Like Romeo and Juliet
We can find that love is it.

Noe
copyright ©2012

Friday

The right magic

Describing the Sarah’s World books, I have said: “The stories are not filled with witches, swords, magicians and such, but are written in the belief that children are intelligent and can find enjoyment and interest in the real world just being kids.” In saying this, I was not suggesting that I am against children’s stories containing make-believe with talking animals and such things. Make-believe really is different than magic, although it can be called "magic" in a sense, and that's okay. In fact, I have made up more than a few stories like that, with my niece being the main character. I haven’t published them yet, but do intend to, although none of my stories will have witches or sorcery, since I feel those subjects are not entertaining.

Years ago when my niece was young, Cindy and I recorded a few of these stories on audio cassette, with Cindy playing the part of my niece and I voiced all the other parts. We even included our cat Shem in one of the stories -- Cindy had to squeeze him to get him to say his part on que! This is not really a picture of Shem, but he looked just like this guy... we really loved him, he was so smart. He would even play hide-and-seek with Cindy! Everyone should have a Maine Coon cat:


Sadly, it was so long ago that the tape of our stories for my niece no longer exists, but those were some real "magic" adventures with singing animals and a faraway island. It was a fun project for us to do, and my niece loved listening to it over and over. It's a great gift idea for aunts and uncles or parents to make for a young person in their life. 

I am presently working on a larger story for Sarah’s World, and when I’m finished with that one, hopefully you will see some of these other stories published.

Take a look at the books in Cindy’s book store for some nice stories for little ones and older kids too. (See the Kids Books and Great Reads pages)


Wednesday

Responsibility ... post three on Jane Austen books

Something I really like about Jane Austen's writings

In my previous post, I hit upon some things that I consider odd about the England of Jane Austen’s time. Today I’d like to mention something I truly appreciate about her time that we don’t often find in ours ... a sense of responsibility, for both the immediate and extended family as well as for the community.

Briefly, here are a few instances I’m referring to:



In Pride and Prejudice, the Gardiners often extend hospitality toward their nieces by inviting them to come to their home and by taking them on their travels. Even more so, they really put themselves out when their youngest niece gets herself into trouble.

In Mansfield Park, Fanny’s aunt and uncle help her brother in procuring a position as a sailor and then take her into their home to alleviate some of the financial burdens of her parents (they later take another of her sisters as well).


In Sense and Sensibility, even though her stepson and his family don’t help her, Mrs. Dashwood is offered a small house “belonging to a relation of her own, a gentleman of consequence and property... He understood that she was in need of a dwelling, and though the house he now offered her was merely a cottage, he assured her that every thing should be done to it which she might think necessary, if the situation pleased her.”

As we know from the book bearing her name, Emma Woodhouse is concerned with the less fortunate and makes a regular habit of visiting them, always with something for their welfare.


Many more instances could be offered, but for those who enjoy reading a story well-written, without licentious behavior being described, and honorable characters displaying both their strengths and weaknesses, a person could hardly do better than picking up something Jane wrote.

~ Noe